Aug 30, 2010

Art as resistance: "Against the Wall" reviewed - #BDS

The relationship between art and politics has always been ambiguous and contested. For many people, "art is above politics," overlooking that art is embedded in the social world and at the mercy of those (publishers, promoters, galleries, etc.) whose mediation between artist and public is in the fullest sense political.

Artists may trust to the innate power of their work to transcend its exploitation as propaganda. Or they may offer it precisely for such purposes (agit-prop). Or they may seek to withhold it by participation in a campaign of cultural boycott, a tactic being increasingly deployed against the Israeli state.

A seemingly exceptional situation arises when the political context from which art emerges is simultaneously the surface on which it is inscribed. The Berlin Wall has been described as "the world's longest canvas" and was used as such by artists like Thierry Noir, Keith Haring and a host of unknowns.

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